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As you enter this space, your senses are bombarded by Alex Da Corte’s scrambled, saturated landscape. A supersized witch’s hat fills the first area, lit by green and red neon from above. This is flanked by a stained-glass window depicting a red rose, referencing Disney’s Beauty and the Beast, and a floor-to-ceiling, blown-up image of a weeping bridesmaid. The exhibition is like a dream: Recognizable elements are mashed together, but something is off, and it gradually morphs into a surreal nightmare.

Read the full article here.

Alex Da Corte: A Season in He’ll’, installation view. Art + Practice, Los Angeles. July 9-September 17, 2016. Photo by Brian Forrest/Hammer Museum.

Alex Da Corte: A Season in He’ll’, installation view. Art + Practice, Los Angeles. July 9-September 17, 2016. Photo by Brian Forrest/Hammer Museum.

Alex Da Corte: A Season in He’ll’, installation view. Art + Practice, Los Angeles. July 9-September 17, 2016. Photo by Brian Forrest/Hammer Museum.

Alex Da Corte: A Season in He’ll’, installation view. Art + Practice, Los Angeles. July 9-September 17, 2016. Photo by Brian Forrest/Hammer Museum.

As you enter this space, your senses are bombarded by Alex Da Corte’s scrambled, saturated landscape. A supersized witch’s hat fills the first area, lit by green and red neon from above. This is flanked by a stained-glass window depicting a red rose, referencing Disney’s Beauty and the Beast, and a floor-to-ceiling, blown-up image of a weeping bridesmaid. The exhibition is like a dream: Recognizable elements are mashed together, but something is off, and it gradually morphs into a surreal nightmare.

Read the full article here.