{"id":1197,"date":"2021-02-01T12:59:51","date_gmt":"2021-02-01T20:59:51","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1197"},"modified":"2021-02-01T12:59:52","modified_gmt":"2021-02-01T20:59:52","slug":"best-of-los-angeles-2015","status":"publish","type":"post","link":"https:\/\/www.artandpractice.org\/zh\/news\/best-of-los-angeles-2015\/","title":{"rendered":"2015 \u5e74\u6d1b\u6749\u77f6\u6700\u4f73"},"content":{"rendered":"<p class=\"wp-block-paragraph\">\u5728\u8fd9\u4e2a\u6fc0\u52a8\u4eba\u5fc3\u7684\u5c55\u89c8\u7684\u5899\u4e0a\uff0c\u89c4\u6a21\u9002\u4e2d\u7684\u96d5\u5851\u5728\u6211\u770b\u6765\u5c31\u50cf\u662f\u6211\u4eec\u7d27\u6025\u65f6\u523b\u7684\u62a4\u8eab\u7b26\uff1a\u4ee5\u9002\u5408\u65c5\u884c\u7684\u5c3a\u5bf8\u5236\u4f5c\uff0c\u5c06\u8272\u5f69\u4f5c\u4e3a\u4e00\u79cd\u5bc4\u6258\u5f62\u5f0f\uff0c\u5c06\u7eb9\u7406\u4f5c\u4e3a\u4e00\u79cd\u4ea4\u6d41\u65b9\u5f0f\uff0c\u5bf9\u9b54\u6cd5\u6301\u6000\u7591\u6001\u5ea6\uff0c\u4f46\u5c3d\u7ba1\u5982\u6b64\u51c6\u5907\u4ece\u56fe\u817e\u501f\u6765\u3002\u5728\u8fd9\u573a\u8de8\u8d8a\u4ed6 40 \u591a\u5e74\u804c\u4e1a\u751f\u6daf\u7684\u5c55\u89c8\u7684\u4f5c\u54c1\u4e2d\uff0cOutterbridge \u4ee5\u4e00\u79cd\u63a8\u5f00\u7f8e\u56fd\u5386\u53f2\u957f\u957f\u9634\u5f71\u7684\u65b9\u5f0f\u7ec4\u88c5\u548c\u6539\u9020\u4e86\u5171\u632f\u7684\u53d1\u73b0\u5bf9\u8c61\uff0c\u5e76\u575a\u6301\u4f4e\u8c03\u7684\u624b\u5de5\u624b\u52bf\u7684\u5173\u952e\u5b58\u5728\u3002<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"http:\/\/www.artinamericamagazine.com\/news-features\/news\/best-of-2015-los-angeles\/\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>The modestly scaled sculptures on the walls of this electrifying exhibition appeared to me like talismans for our emergency times: crafted in a a size that\u2019s ready to travel, deploying color as a form of sustenance and texture as a means of communication, skeptical about magic but nevertheless ready to borrow from the totemic. In [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1197","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1197"}],"version-history":[{"count":3,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1197\/revisions"}],"predecessor-version":[{"id":1283,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1197\/revisions\/1283"}],"wp:attachment":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}