{"id":1169,"date":"2021-02-01T12:18:42","date_gmt":"2021-02-01T20:18:42","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1169"},"modified":"2021-02-01T12:20:22","modified_gmt":"2021-02-01T20:20:22","slug":"datebook-rosamund-felsens-last-show-surreal-installations-inspired-by-rimbaud-capturing-brazils-modern-architecture","status":"publish","type":"post","link":"https:\/\/www.artandpractice.org\/zh\/news\/datebook-rosamund-felsens-last-show-surreal-installations-inspired-by-rimbaud-capturing-brazils-modern-architecture\/","title":{"rendered":"\u8bb0\u4e8b\u672c\uff1aRosamund Felsen \u7684\u6700\u540e\u4e00\u573a\u5c55\u89c8\uff0c\u53d7\u5170\u6ce2\u542f\u53d1\u7684\u8d85\u73b0\u5b9e\u88c5\u7f6e\uff0c\u6355\u6349\u5df4\u897f\u7684\u73b0\u4ee3\u5efa\u7b51"},"content":{"rendered":"<p>\u6d1b\u6749\u77f6\u4e00\u5bb6\u8001\u724c\u753b\u5eca\u4e3e\u529e\u4e86\u6700\u540e\u4e00\u573a\u5c55\u89c8\u3002\u4e00\u4f4d\u5fb7\u56fd\u6444\u5f71\u5e08\u63a2\u7d22\u5df4\u897f\u7684\u70ed\u5e26\u73b0\u4ee3\u4e3b\u4e49\u3002\u72c2\u91ce\u7684\u88c5\u7f6e\u5448\u73b0\u51fa\u4e9a\u745f\u00b7\u5170\u6ce2\u7684\u8eab\u4efd\u3001\u758f\u79bb\u548c\u8bd7\u6b4c\u3002\u53e6\u5916\uff1a\u52a0\u5dde\u9676\u827a\u5bb6\u7684\u8bbd\u523a\u753b\u548c\u68d5\u6988\u6cc9\u8457\u540d\u5efa\u7b51\u5e08\u7684\u534e\u4e3d\u8bbe\u8ba1\u3002\u4ee5\u4e0b\u662f\u672c\u5468\u8981\u67e5\u770b\u7684\u516d\u9879\u6d3b\u52a8\uff1a<\/p>\n\n\n\n<p>Alex Da Corte\uff0c\u201cA Season in He&#039;ll\u201d\uff0cArt + Practice\u3002\u8fd9\u4f4d\u51fa\u751f\u4e8e\u65b0\u6cfd\u897f\u7684\u6982\u5ff5\u827a\u672f\u5bb6\u7684\u5c55\u89c8\u5305\u62ec\u4e00\u7cfb\u5217\u4f5c\u54c1\uff0c\u5176\u7075\u611f\u6765\u81ea\u6cd5\u56fd\u8bd7\u4eba\u4e9a\u745f\u00b7\u5170\u6ce2\u9887\u5177\u5f71\u54cd\u529b\u7684\u6563\u6587\u8bd7\u300a\u5730\u72f1\u7684\u5b63\u8282\u300b\uff0c\u63a2\u8ba8\u4e86\u9053\u5fb7\u3001\u6b32\u671b\u548c\u6b7b\u4ea1\u7684\u4e3b\u9898\u3002\u5728\u89c6\u9891\u548c\u96d5\u5851\u88c5\u7f6e\u4e2d\u2014\u2014\u4f7f\u7528\u5e73\u5eb8\u6d88\u8d39\u54c1\u548c\u6d41\u884c\u6587\u5316\u6bd4\u55bb\u7684\u4f5c\u54c1\u2014\u2014\u8fbe\u79d1\u5c14\u7279\u6d89\u53ca\u8fd9\u4e9b\u4e3b\u9898\u548c\u5176\u4ed6\u4e3b\u9898\uff0c\u6d89\u53ca\u8eab\u4efd\u3001\u758f\u79bb\u548c\u4e0d\u7a33\u5b9a\u7684\u95ee\u9898\u3002\u5468\u516d\u4e0b\u5348 4 \u70b9\u5f00\u653e\uff0c\u4e00\u76f4\u6301\u7eed\u5230 9 \u6708 17 \u65e5\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"http:\/\/www.latimes.com\/entertainment\/arts\/miranda\/la-et-cam-datebook-rosamund-felsen-alex-da-corte-20160707-snap-story.html\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>A long-time Los Angeles gallery puts on its final show. A German photographer explores Brazil\u2019s tropical Modernism. And wild installations take on identity, alienation and the poetry of Arthur Rimbaud. Plus: The wry drawings of a California ceramicist and the flamboyant designs of a prominent Palm Springs architect. Here are six events to check out [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1169","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1169"}],"version-history":[{"count":5,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1169\/revisions"}],"predecessor-version":[{"id":1260,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1169\/revisions\/1260"}],"wp:attachment":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}