{"id":1154,"date":"2021-02-01T12:11:00","date_gmt":"2021-02-01T20:11:00","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1154"},"modified":"2021-02-01T12:11:00","modified_gmt":"2021-02-01T20:11:00","slug":"alex-da-corte-a-season-in-hell-at-art-practice","status":"publish","type":"post","link":"https:\/\/www.artandpractice.org\/zh\/news\/alex-da-corte-a-season-in-hell-at-art-practice\/","title":{"rendered":"\u4e9a\u5386\u514b\u65af\u00b7\u8fbe\u00b7\u79d1\u5c14\u7279\uff08Alex Da Corte\uff09\uff1a\u827a\u672f+\u5b9e\u8df5\u4e2d\u7684\u4e00\u4e2a\u8d5b\u5b63"},"content":{"rendered":"<p>1986 \u5e74\u5170\u8d1d\u6258\u00b7\u5df4\u74e6 (Lamberto Bava) \u7684\u4f4e\u6210\u672c Italo-horror schlock \u5de8\u661f\u65e9\u671f\u6709\u4e00\u4e2a\u573a\u666f&nbsp;<em>\u6076\u9b54 2<\/em>: \u4e00\u4e2a\u90aa\u6076\u7684\u8eab\u5f71\u4e00\u7638\u4e00\u62d0\u5730\u8d70\u4e0b\u8d70\u5eca\u3002\u4ed6\u8d70\u8fdb\u4e00\u4e2a\u623f\u95f4\uff0c\u62ff\u8d77\u4e00\u628a\u6cbe\u6ee1\u4e86\u8840\u8ff9\u7684\u5200\uff0c\u5728\u4ed6\u810f\u516e\u516e\u7684\u56f4\u88d9\u4e0a\u64e6\u4e86\u64e6\u3002\u7136\u540e\uff0c\u76f8\u673a\u63ed\u793a\u4e86\u8840\u8165\u7269\u8d28\u7684\u6765\u6e90\uff1a\u4e00\u7f50\u88ab\u6253\u7ffb\u7684\u7cd6\u6d46\u3002\u8fd9\u540d\u7537\u5b50\u88ab\u8ba4\u5b9a\u4e3a\u4e00\u540d\u9762\u5305\u5e08\uff0c\u5e76\u5f00\u59cb\u4e3a\u4e00\u4f4d\u5973\u58eb\u7684\u751f\u65e5\u6d3e\u5bf9\u88c5\u9970\u86cb\u7cd5\u3002\u66fe\u7ecf\u8feb\u5728\u7709\u776b\u7684\u6050\u6016\u573a\u666f\u88ab\u559c\u5267\u7684\u8f6c\u6298\u5316\u89e3\u4e86\u3002\u8fd9\u79cd\u6050\u60e7\u548c\u8352\u8bde\u5e7d\u9ed8\u7684\u6df7\u5408\u4e3a\u89c2\u770b Alex Da Corte \u7684\u6c89\u6d78\u5f0f\u620f\u5267\u88c5\u7f6e\u63d0\u4f9b\u4e86\u9002\u5f53\u7684\u6846\u67b6&nbsp;<em>\u4ed6\u4f1a\u7684\u4e00\u4e2a\u8d5b\u5b63<\/em>&nbsp;\u5728\u827a\u672f+\u5b9e\u8df5\u3002<\/p>\n\n\n\n<p>\u8fdb\u5165\u753b\u5eca\u540e\uff0c\u5f88\u660e\u663e\u89c2\u4f17\u5e76\u4e0d\u662f\u5728\u4f20\u7edf\u7684\u767d\u8272\u7acb\u65b9\u4f53\u4e2d\u3002 Da Corte \u521b\u9020\u4e86\u4e00\u4e2a\u68a6\u5e7b\u822c\u7684\u4ed9\u5883\uff0c\u901a\u8fc7\u74f7\u7816\u5730\u677f\u3001\u5f69\u7ed8\u5899\u58c1\u548c\u5f69\u8272\u706f\u5149\u6539\u53d8\u4e86\u7a7a\u95f4\uff0c\u540c\u65f6\u8fd8\u5c06\u55c5\u89c9\u5143\u7d20\u4e0e\u73ab\u7470\u3001\u9f20\u5c3e\u8349\u548c\u4e01\u9999\u9999\u5473\u7684\u5148\u751f\u7ed3\u5408\u5728\u4e00\u8d77\u3002\u5c55\u89c8\u7684\u540d\u79f0\u53d6\u81ea\u4e9a\u745f\u00b7\u5170\u6ce2 1873 \u5e74\u7684\u6563\u6587\u8bd7&nbsp;<em>\u5730\u72f1\u7684\u5b63\u8282<\/em>\uff0c\u5b83\u63cf\u8ff0\u4e86\u8fd9\u4f4d\u5e74\u8f7b\u7684\u4f5c\u5bb6\u5728\u4e0e\u8bd7\u4eba\u4fdd\u7f57\u00b7\u9b4f\u5c14\u5170 (Paul Verlaine) \u7684\u98ce\u6d41\u97f5\u4e8b\u89e3\u6563\u540e\uff0c\u56e0\u5438\u6bd2\u800c\u9677\u5165\u75af\u72c2\u3002\u5170\u6ce2\u4e3a\u4e00\u957f\u4e32\u6587\u5316\u548c\u53cd\u6587\u5316\u4eba\u7269\u63d0\u4f9b\u4e86\u7075\u611f\uff0c\u4ece\u8d85\u73b0\u5b9e\u4e3b\u4e49\u8005\u5230 70 \u5e74\u4ee3\u4e1c\u6751\u670b\u514b\uff0c\u5982 Patti Smith \u548c Richard Hell\uff08\u4ed6\u7684\u827a\u540d\u6765\u81ea\u540c\u4e00\u9996 Rimbaud \u8bd7\uff09\u3002\u8fbe\u79d1\u5c14\u7279\u88ab\u5170\u6ce2\u7684\u4f5c\u54c1\u6240\u5438\u5f15\uff0c\u4e0d\u4ec5\u56e0\u4e3a\u5b83\u6253\u7834\u5e38\u89c4\u73b0\u5b9e\u7684\u65b9\u5f0f\uff0c\u8fd8\u56e0\u4e3a\u5b83\u5bf9\u9177\u513f\u7684\u5766\u7387\u548c\u6beb\u4e0d\u59a5\u534f\u7684\u63cf\u8ff0\u3002<\/p>\n\n\n\n<p>\u88c5\u7f6e\u4e2d\u7684\u7b2c\u4e00\u4e2a\u7269\u4f53\u662f\u4e00\u4e2a\u5de8\u5927\u7684\u9ed1\u8272\u5706\u9525\u4f53\uff0c\u4ece\u4e00\u4e2a\u6241\u5e73\u7684\u5706\u76d8\u4e2d\u5347\u8d77\uff1a\u4e00\u9876\u88ab\u70b8\u6210\u8352\u8c2c\u5927\u5c0f\u7684\u5973\u5deb\u5e3d\uff0c\u65e2\u53cd\u6620\u4e86\u8f7b\u677e\u7684\u9003\u907f\u73b0\u5b9e\u5e7b\u60f3\uff0c\u4e5f\u53cd\u6620\u4e86\u8feb\u5bb3\u7684\u5386\u53f2\u521b\u4f24\u3002\u6302\u5728\u5899\u4e0a\u7684\u4e00\u5f20\u5927\u578b\u8001\u5f0f\u7167\u7247\u5ef6\u7eed\u4e86\u8fd9\u79cd\u6a21\u68f1\u4e24\u53ef\u7684\u611f\u89c9\uff0c\u6355\u6349\u5230\u4e00\u4e2a\u54ed\u6ce3\u7684\u5e74\u8f7b\u5973\u5b50\u88ab\u4e00\u4e2a\u84ec\u677e\u7684\u5934\u53d1\u5b89\u6170\u7740\u3002\u8d77\u521d\u770b\u8d77\u6765\u662f\u60b2\u5267\u7684\u540e\u679c\u5b9e\u9645\u4e0a\u662f\u4e00\u5f20\u7ed3\u5a5a\u7167\u2014\u2014\u559c\u60a6\u7684\u6cea\u6c34\uff0c\u800c\u4e0d\u662f\u75db\u82e6\u7684\u6cea\u6c34\u3002\u5899\u4e0a\u6302\u7740\u4e00\u4e2a\u7528\u95ea\u70c1\u7684\u661f\u661f\u62fc\u51fa\u201c\u591c\u665a\u201d\u7684\u9713\u8679\u706f\u6807\u5fd7\u2014\u2014\u76f4\u63a5\u5f15\u7528\uff0c\u867d\u7136\u6709\u70b9\u795e\u79d8\uff0c\u6765\u81ea&nbsp;<em>\u6076\u9b54 2<\/em>\uff0c\u5176\u4e2d\u4e00\u4e2a\u76f8\u540c\u7684\u7248\u672c\u5947\u602a\u5730\u88c5\u9970\u4e86\u4e3b\u89d2\u7684\u516c\u5bd3\u5899\u58c1\u3002\u4f46\u89c2\u4f17\u4e0d\u5fc5\u719f\u6089\u8fd9\u4e2a\u53c2\u8003\uff0c\u5c31\u53ef\u4ee5\u4e86\u89e3\u201c\u5deb\u5e08\u65f6\u523b\u201d\uff0c\u5373\u795e\u79d8\u548c\u8d85\u81ea\u7136\u529b\u91cf\u8fbe\u5230\u9876\u5cf0\u7684\u591c\u95f4\u65f6\u671f\u3002<\/p>\n\n\n\n<p>\u9605\u8bfb\u5168\u6587&nbsp;<strong><a href=\"http:\/\/dailyserving.com\/2016\/09\/alex-da-corte-a-season-in-hell-at-art-practice\/\">\u8fd9\u91cc<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>There is a scene early on in Lamberto Bava\u2019s 1986 low-budget Italo-horror schlock fest&nbsp;Demons 2: A sinister figure is seen limping down a hallway. He enters a room, picks up a knife that is covered in what looks like blood, and wipes it on his soiled apron. The camera then reveals the source of the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1154","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/comments?post=1154"}],"version-history":[{"count":3,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1154\/revisions"}],"predecessor-version":[{"id":1244,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/posts\/1154\/revisions\/1244"}],"wp:attachment":[{"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/media?parent=1154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/categories?post=1154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artandpractice.org\/zh\/wp-json\/wp\/v2\/tags?post=1154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}