{"id":451,"date":"2021-01-13T09:44:19","date_gmt":"2021-01-13T17:44:19","guid":{"rendered":"https:\/\/artandpractice.kudos.nyc\/?p=451"},"modified":"2021-02-25T14:16:54","modified_gmt":"2021-02-25T22:16:54","slug":"institutions-need-to-follow-artists-lead-to-make-a-material-impact-on-the-world","status":"publish","type":"post","link":"https:\/\/www.artandpractice.org\/es\/news\/institutions-need-to-follow-artists-lead-to-make-a-material-impact-on-the-world\/","title":{"rendered":"Las instituciones deben seguir el ejemplo de los artistas para tener un impacto material en el mundo"},"content":{"rendered":"<p>A nuestro alrededor, las pandemias gemelas del racismo y el covid-19 est\u00e1n sacudiendo el paisaje estadounidense, dejando al descubierto su terreno fundamentalmente desigual. As\u00ed como las protestas masivas y justas hacen el dif\u00edcil trabajo de obligar a cambiar a las instituciones m\u00e1s grandes del pa\u00eds, inevitablemente tambi\u00e9n cuestionan las instituciones culturales. En el caso de los museos de arte, la discriminaci\u00f3n, la indiferencia y la irrelevancia est\u00e1n profundamente arraigadas en su historia, y demasiados museos han respondido a este momento catal\u00edtico solo con palabras r\u00e1pidas y gestos simb\u00f3licos, una respuesta agitada y desesperada que pone de relieve el trabajo no realizado. durante d\u00e9cadas para abordar la inequidad y la injusticia en el mundo de las bellas artes. Aquellos de nosotros que trabajamos en museos debemos mirar con dolorosa honestidad todo lo que hemos estado haciendo mal y comprometernos con un rumbo muy diferente.<\/p>\n\n\n\n<p>Lee el art\u00edculo completo <a href=\"https:\/\/www.theartnewspaper.com\/comment\/institutions-need-to-follow-artists-lead-to-make-a-material-impact-on-the-world\"><strong>aqu\u00ed<\/strong><\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>All around us, the twin pandemics of racism and Covid-19 are roiling the American landscape, laying bare its fundamentally uneven ground. Just as massive and righteous protests do the difficult work of forcing the country\u2019s largest institutions to change, they inevitably call cultural institutions into question too. In the case of art museums, discrimination, indifference, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-451","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=451"}],"version-history":[{"count":4,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/451\/revisions"}],"predecessor-version":[{"id":1379,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/451\/revisions\/1379"}],"wp:attachment":[{"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}