{"id":1197,"date":"2021-02-01T12:59:51","date_gmt":"2021-02-01T20:59:51","guid":{"rendered":"https:\/\/www.artandpractice.org\/?p=1197"},"modified":"2021-02-01T12:59:52","modified_gmt":"2021-02-01T20:59:52","slug":"best-of-los-angeles-2015","status":"publish","type":"post","link":"https:\/\/www.artandpractice.org\/es\/news\/best-of-los-angeles-2015\/","title":{"rendered":"Lo mejor de Los \u00c1ngeles, 2015"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Las esculturas de escala modesta en las paredes de esta exposici\u00f3n electrizante me parecieron talismanes para nuestros tiempos de emergencia: elaborados en un tama\u00f1o listo para viajar, desplegando color como forma de sustento y textura como medio de comunicaci\u00f3n, esc\u00e9pticos sobre la magia pero sin embargo listo para tomar prestado de lo tot\u00e9mico. En las obras de esta muestra, que abarca m\u00e1s de 40 a\u00f1os de su carrera, Outterbridge ha ensamblado y transformado objetos encontrados resonantes de manera que empujan la larga sombra de la historia estadounidense e insisten en la presencia crucial de gestos discretos hechos a mano.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lee el art\u00edculo completo&nbsp;<strong><a href=\"http:\/\/www.artinamericamagazine.com\/news-features\/news\/best-of-2015-los-angeles\/\">aqu\u00ed<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>The modestly scaled sculptures on the walls of this electrifying exhibition appeared to me like talismans for our emergency times: crafted in a a size that\u2019s ready to travel, deploying color as a form of sustenance and texture as a means of communication, skeptical about magic but nevertheless ready to borrow from the totemic. In [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1197","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/comments?post=1197"}],"version-history":[{"count":3,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1197\/revisions"}],"predecessor-version":[{"id":1283,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/posts\/1197\/revisions\/1283"}],"wp:attachment":[{"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/media?parent=1197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/categories?post=1197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artandpractice.org\/es\/wp-json\/wp\/v2\/tags?post=1197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}